When East Meets West: The Art of Wu Guanzhong

0h, East is East, and West is West, and never the twain shall meet…

~ Rudyard Kipling in The Ballad of East and West

This famous line in Rudyard Kipling’s poem is disproved with disarming beauty in the art of Wu Guanzhong (1919 – 2010), one of the China’s greatest contemporary painters whose abstract ink paintings blends the nuances of the East with the boldness of the West.

Wu Guanzhong (1919 – 2010), considered one of the most important
Chinese painter of the modern era.

The Wu Guanzhong that most admirers know are works that date from the late 1970s when Wu drew inspiration from contemporary western art, breaking free from the great tradition of Chinese landscape paintings to create works that capture the “essence” of the form. Rendered in Chinese ink and watercolor, the viewer is treated to dreamy landscapes defined by calligraphic lines and splashes of colors and dots, mostly on a white background. The context is always Chinese, like the lingering mist of spring rain or the heaving hills of a fishing village, yet one that carries that tradition to another realm.

Selected Works of Wu Guanzhong

Lion Woods (1983), in and color on rice paper, 73 x 290 cm, Shanghai Art Museum. Photo credit: Wikiart.


Pine Spirit (1984), ink and color on rice paper, 70 x 140 cm. Photo credit: Spencer Museum of Art.


Twin Swallows (1988), ink and color on rice paper, 69 x 137 cm, Hong Kong Museum of Art. Credit: China Online Museum


Home of Man (1999), ink and color on paper, 69 x 69 cm Photo credit: Wikiart.


Alienation (1992), ink and color on rice paper, 69 x 138 cm, Shanghai Art Museum. Photo credit: Asia Society, New York.


Architecture and the Everyday (2001), ink and color on rice paper, 70 x 140 cm, Shanghai Art Museum. Photo credit: Asia Society, New York.


Zhangjiajie 1997, Ink and colour on paper, 145 x 368 cm. Donation of Wu Guanzhong
Collection of National Gallery Singapore.


In the Autumn, 120 x 72cm, Silk Screen print. Private collection


Lotus, with two seals of the artist. Scroll, mounted and framed, ink and colour on paper
68 x 90.7 cm.


Bridge and City, oil on canvas, signed and dated 1996.

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