“Art is not about objects of high monetary exchange. It’s about reasserting our firsthand experience in present time.” – Richard Serra (1938-2024)

Few artists have redefined space as radically as Richard Serra. His monumental steel sculptures don’t just sit in their environment – they become the environment, transforming how we move, feel, and perceive. Serra’s torque ellipses, spirals, and towering walls invite us to confront weight, gravity and balance on a human scale, making the viewer an essential part of the work.

From the industrial origins of his material to the physicality of their forms, Serra’s practice bridges minimalism with something profoundly experiential: sculpture as lived encounter, not static objects placed on pedestals. Standing within his works, you don’t just look at art – you inhabit it.